Turn 1 (similar to everyone's except lotus)

Turn 2
You go up to the body and begin rummaging through the pockets. Aristocrat tries to convince you to stop, but you ignore him. You've almost given up when you feel something hard in the last pocket. You reach in and can tell that it is a key of some kind. You pull it out and drop it in your pocket, then go east along with LoTu)S, Nasus, and payne.

As you enter the room, LoTu)S turns to payne and asks, "What were you doing when you found the body?"

payne responds by tackling LoTu)S, knocking him to the floor. He wraps his fingers around LoTu)S' neck, attempting to strangle him with murderous conviction. LoTu)S struggles to escape the grasp, and manages to push payne off of him. He then pulls payne's arms behind his back, successfully managing to restrain him.

Nasus, meanwhile, crawls under the dining room table and out of sight. The tablecloth is made of a thick silk fabric which drapes down to the floor on all sides, so seeing underneath the table is impossible.

The room is rather large, with the long hardwood table taking up much of it. The table is not set however, and you see nothing which you might consider a weapon. A large framed painting of a horse hangs on the wall, mid-stride. Aside from the direction which you came from, there is another exit on the east side of the room, where you see double swinging doors.

Turn 3
You leave to the east, and enter the kitchen.

The things that initially catch your attention are the oven, refrigerator, and one of the exits. The oven is a large gas-powered unit, with a massive 16-burner stove top. The refrigerator is also rather massive, and beside it on the south side of the room, there is an equally impressive metal door with a huge locking mechanism on the outside. To the north is another exit, with the door closed.

You stand in front of the double swinging doors, pressing your hands against them to prevent anyone from entering. Someone pushes on the doors, and you successfully stop them from entering. Then, they slip their hand in between the doors, and pull it open instead. It is LoTu)S, and he enters the room.

You continue trying to blockade the doors in the same manner, and while doing so you hear a number of drawers being opened and closed behind you. Suddenly, another person starts pushing on the doors, and after a few moments of you stopping them from entering, they also slip their hand between the doors and pull them open. This time it is Nasus, and he enters the room as well.

As you continue holding the doors in such a way, with the two other people shuffling around behind you, you consider that trying to blockade swinging doors with your body may be a more difficult task than you originally thought.

Turn 4
You open the refrigerator, looking for anything useful. As you do so, you hear some metal clanking around and a drawer opening elsewhere in the room. There is a huge variety of foods to choose from, and you're not sure which would be more useful than others. You grab the largest package on the top shelf, which is a carton of eggs. You hear LoTu)S say in a cool manner, "A result of a battle won." You are certain he wasn't addressing you, however.

You go to the north exit and open the door, then walk through. The room is pitch black, but you reach out to feel the wall, and find that a light switch is there. You turn on the lights.

You find yourself in a hall of some sort, with lights on the walls rather than the ceiling to illuminate the room more thoroughly. The floor is some kind of dark hardwood, with a Persian rug covering much of the small room. On the east wall is a small window, and to the west is a closed wooden door. In the northwest corner of the room, beside the door, is the kind of metal cart that is used to carry food.

You examine the room further for more details. The walls are covered in a light blue, almost white, paint. The Persian rug looks exquisite, with many details in the fabric, which you believe is some kind of wool. The window on the east wall looks decorative, with some elaborate molding encircling it. There are four separate panes of glass, and it appears the window is not designed to be opened. On the west wall, the door is thick, made of a sturdy-looking wood of some sort. The metal cart is a standard food cart, on four wheels, with nothing on it.

Turn 5
Nasus reaches down and grabs the edge of the rug, pulling it south. As you're walking toward the metal cart, the carpet is pulled out of the room by Nasus, and you notice what appears to be a trapdoor in the center of the floor. He leaves the room, dragging the carpet with him, and you grab the metal cart. You spin it around you once to build centrifugal force, then release it to send it soaring through the south doorway.

You open the door to the west and head inside, turning on the lights. As they come on, you see that this is a pantry for dried or nonperishable goods. There are a number of wooden shelving units, situated along the walls of the room, holding everything from spices to rice to canned foods. There are no exits aside from the door to the east.

Turn 6
You quickly look around and grab a can of pineapples. Walking back east, you find the room to be in the same state as when you left it, with no objects to be found. You open the trapdoor in the center of the room, and kneel down to peer inside, looking for lights. The room is pitch black, and all you can make out is the top of the metal ladder bolted to the trapdoor opening, extending down into the darkness.

Turn 7
You note that the door to the kitchen is wide open, and walk south. Wing Zero leaves through the door to the south, and Roy walks over to hold it open. Nasus props the door open with his leg as well. You begin walking toward the door to the west, but you stop as someone opens it from the other side. You see that it is Aristocrat, looking inside.

With the door open, you see that the door from the dining room to the lobby is open. You also see that payne is in the dining room, seated at the table, resting his head face-down on his arms. The door quickly swings shut without Aristocrat entering.

Nasus takes his shirt off, and wears it on his head like a do-rag. He then says, "I'm gangsta, yo."

Turn 8
You sprint east twice. You are back in the lobby, and the only other person here is rayNimagi. He begins beatboxing. Zilean momentarily sticks his head in from the south and says, "Oh, hello thar."

Turn 9
You move south, noting that there is no door to open or close here, and walk into the entrance hall. This hall serves mainly as a lavish decoration; the only time anyone occupies this area is in the brief walk from the foyer to the main room and back. There are no windows, just exits to other rooms to the north and south.

rayNimagi sprints into the room with you, and you set your eggs down beside the door. As you do so, he wraps his arm around your neck, putting you into a headlock. He pulls his other hand back, makes a fist, and brings a blow down hard on your temple.

You are unconscious.

Turn 10
You are unconscious.

Turn 11
You regain consciousness, to see rayNimagi is standing over you. Your hands are apparently tied behind your back.

rayNimagi says to you, "Sit on the floor with your back to the wall." You crawl to the southeast corner of the room and do so. Looking around, you see nothing of interest, aside from a carton of eggs on the floor near the northern door, and what appears to be a canned food of some kind near it.

Turn 12
rayNimagi says to you, "Alright, let's head into the lobby. You go first." He grabs your wrists and walks you into the room to the north. In the lobby, you see that the small stand is in front of the staircase, not really blocking it at all. Vi3t-X and arkla are in the room looking zoned out. You note something with decorative tiling is blocking the doorway to the north from the other side.

You pull your wrists from rayNimagi's hands, squat down on the floor, and pull your feet over your wrists. With your hands in front of you, you manage to free his hands. You note that your hands were tied with the shirt you were wearing.

Turn 13
You walk to the stand, and rayNimagi sprints past you up the stairs. After moving the stand, you head up as well, and find yourself alone on the second-floor landing.

You thoroughly search the landing at the top of the stairs, but find it to be rather lacking. There is a pile of broken glass shards on the floor. The hallway here extends to the east and west.

Turn 14
You sprint down the stairs, and south.

You look into the room to the south, noting that there is no door to open or close. This is the room where people who enter can wipe off their shoes and such, with a mat on the floor for just this purpose. There is an empty umbrella stand by the door. There is also an open door to the south, and a closed door to the east.

You look around your current room and notice that the can of fruit and carton of eggs are still on the floor here.

Turn 15
You open the door to the east. Looking inside, it appears to be a maintenance room. There is a plastic and metal shovel on the wall, both with a plow-shape designed for snow removal, along with a bag of salt for deicing walkways. There are two metal rakes for leaves, and a leaf blower. There also appear to be various tools and other maintenance items around the room. The room extends further to the east.

You look around the current room again. The mat on the floor is for people to wipe their feet on, and it is rather large. The umbrella stand by the door has nothing in it, is made of metal, and looks light. The door to the south is open, and has a the type of turning lock built into the doorknob that is extremely common to see.

Turn 16
You move to the east, and take the metal snow shovel. Looking into the area east of here, you see there is a water heater, and a metal box on the north wall. There doesn't seem to be anything to speak of, and there are no other exits.

You think back to when you were invited to stay here by the owner. He was a man you barely knew, aside from talk that he was somewhat wealthy. When he approached you, asking if you would attend a get-together at his place for the weekend, you were fairly surprised. However, upon arriving and mingling with the other guests, you got the distinct impression that he had invited many of the people the same way. No one seemed to be particularly close to him, or even know him that well.

Turn 17
You open the metal box to look inside, and see it is an electrical box. On the inside of the metal panel, the two switches for the circuit breaker are labeled relative to their actual positions inside the box. They are labeled as follows:

- Maintenance Area
- Freezer

You think back to if anyone was injured, but as far as you know nothing like that happened before the murder. You remember that you were staying the weekend in the first room on the left after turning right at the top of the stairs. You were rooming with someone named Zilean.

Turn 18
You move west, where you find everything as you remember it. You think back to how you arrived, and remember a fancy black car from a transportation service was arranged by the owner, picking you up and dropping you off. You do not recall seeing any mobile light sources.

You look over the tools, which contain a variety of items, including a screwdriver, pliers, hacksaw, tape measure, wrench, and other similar things. There is also a small black toolbox among them. You spot a metal claw hammer with a wooden handle, and pick it up.

Turn 19
You open the toolbox, but there is nothing inside. You assume it is here to transport the tools already in the room.

You think back to when you were invited to come here. You were at a store, hanging out with your friends, and one of them said "Dude, this other dude totally asked me to come hang out with him at his crib." You said, "Damn dude, that's wack." Then he said, "Yeah I know right? I almost said yes for a sec, since he looked real fly between his Rolex and threads, but then I was like, naw dude, I ain't down." You considered this for a moment, and after realizing the man must be wealthy and might be hosting an excellent party, you said "Yo dude point out this sucka."

He used his index finger to indicate to you who it was that made the offer, and you went over and stood a few feet from the owner, looking for an opportunity to go over and ask for an invitation. However, to your surprise, within less than 30 seconds he was already walking over to you, and made you the offer himself. You said, "Hell yeah dude I be down for that, where I sign man?" He simply smiled, and after putting your number into his cell phone, said he would contact you later to arrange your ride. You look through the door to the west, and see the room is pitch black. The lights suddenly flicker back on. The room is as you remember it, and no one is there.

Turn 20
Thinking back to before the murder, you remember that Zilean was your roommate, but aside from that there wasn't anything particularly memorable about him. You don't have any idea why there would be blood in your room.

You move west, and the room is pitch black. The only illuminated exits are the doorways to the east and south. You look through the southern door and see that it goes outside, where the yard extends to the east and west from there. You see no one there.

Turn 21
Stepping outside, you are immediately met with a wave of brisk night air. The temperature is just below being comfortable, with a slight breeze to add to the effect. The grass is sparkling in the moonlight, wet from the moisture in the air. The house is to the north, with the part closest to you looming three stories high.

To the west, the yard extends a short ways before turning north, and to the east the yard extends further. You find it is a bit easier to see into adjacent areas while out in the open. A cobblestone path leads from the front door to the west. Looking up, there are a few scattered clouds moving through the sky.

Bordering the property on the south side of the yard is a tall fence made of black metal rails with intimidating spikes on the top. A canopy of trees is blocking the moonlight past it, rendering the area pitch black. You determine that attempting to cross the fence into the darkness would be extremely ill-advised.

As you enter the yard, you see LoTu)S enter from the east, holding a meat cleaver. He glances at your hammer and shovel. You look to the east and see the yard extends much further in that direction. You look to the west and see the driveway is there, extending to the north.

Turn 22
You are cautious for a moment, but LoTu)S doesn't move. You begin to sprint past him toward the east, and in mid-stride you feel a sharp blow to the back of your head.

You are unconscious.

Turn 23
You are unconscious.

Turn 24
You regain consciousness.

Looking around, you see you are still in the yard by the front door. No one else is here, and your hammer and shovel are both gone.

You examine the fence to the south. It is made of sturdy metal rails which rise up high above you. Sharp metal spikes adorn the top of each rail, making the barrier look all the more sinister. On the other side, an all-consuming darkness is staring back at you, so ominous that you feel the need to avert your eyes. You determine attempting to cross the fence would likely not be in your best interests of your well-being.

You move east, where the yard continues a ways to the east and west, and two windows are on the second story, one of them apparently missing the glass segments. As you're looking up at them, something large and white begins coming out of the window. It extends a ways into the air, then falls heavily to the ground beside the house. You see it is a mattress with a floral-patterned sheet still on it.

Thinking back, you remember that the gate to the fence is at the southwest corner of the yard, on the south side.

Turn 25
Nothing changes, and no one enters.

Turn 26
You sprint two room west, and find yourself in the driveway, which is asphalt. The driveway continues north, bordered by the fence on the west, and to the south is the gate to the fence, closed. The yard extends a ways back to the east.

You think back to when you arrived. You entered the lobby, where a good number of people were gathered already. Shortly thereafter, someone else arrived, and the house owner began the tour of the first floor. Afterward, you received your room key and went up to your room, where you stayed until you heard the scream which caused you to investigate.

Looking at the gate, it appears to have an electronic lock, though you're unsure of how it functions. Aside from what appears to be some kind of sensor, there is also a small number built into the fence beside the gate.

Turn 27
You scream shrilly, hoping to attract attention from a nearby area. You begin slamming your body into the fence, trying to make an excessive amount of noise. You try to move west, but find the fence is in your way, and just drag yourself beside it. You stop and listen, but don't hear anything.

Turn 28
You sprint east and then north. The room is pitch black, with the only illuminated exits being doorways to the east and south. A chilly breeze in coming into the room from the south.

You close the south door, then feel for the doorknob and lock it.

You note that you are not wearing a shirt, and you do not have it with you. Thinking back, you remember that you had it with you until you were knocked unconscious just outside the front door.

You feel for the umbrella stand, but it doesn't seem to be where you remember it.

Turn 29
You unlock and open the south door, then look through to the outside. The yard is as you remember it, and no one is there. Looking more closely, you see a shirt lying in the grass.

You walk south and pick up your shirt.

Turn 30
You sprint west then north. This is where the driveway ends, with the garage immediately north. The house borders this area on the east, and the fence is to the west. There is a large retractable garage door closed to the north, and the driveway extends back south. Zilean is lying here with a zoned out expression on his face, and is being consumed by a small fire. A closed black umbrella is lying beside him, and a lit torch is burning his arm.

You put on your shirt. Looking at Zilean, it doesn't seem he is holding any items in his unconscious state.

Turn 31
The fire grows, and the skin on Zilean's face begins to look like it's melting. His exposed skin is charring considerably.

Turn 32
You begin trying to pull Zilean away from the fire, but it becomes quickly apparent that your effort is futile, as his body is the fuel of the blaze. You pull your hands back, your palms scorched.

You move to the corner where the fence meets the garage. Reaching up to the top of the fence, you put one foot on the garage, using it to hold your weight. You carefully pull yourself up, continuing to keep your weight on the garage as you pass over the sharp metal spikes at the top of the fence. You drop down into the darkness, having successfully left the property.

As soon as you touch the ground, your feet give out from under you, and you begin sliding down a steep slope. You push your feet into the ground, attempting to slow down, but it only makes you start somersaulting as your descent becomes more rapid.

Suddenly, you stop. It is pitch black here, and you can no longer see the moonlight in any direction. You try walking south, but it becomes immediately apparent you aren't moving. As the disorientation from the fall wears off, you realize your feet aren't even touching the ground. A sharp pain is in your chest, and you reach down to determine the cause. Directly in front of you is what feels like a branch or log of some kind, jutting up out of the ground.

As you follow it with your hand toward yourself, you feel something warm and wet. The shock of the sudden drop fades a bit more, replaced by an overwhelming fear as you begin to understand the situation. Severe pain courses through your torso, and your hand continues following the wet branch as it starts becoming more narrow. The next thing you touch is the place where the wood meets the fabric of your shirt, which it has thoroughly penetrated along with your ribcage. Blood is pumping out of the wound over the cold skin of your hands.

Your strength quickly fades, and as you tilt your head back something brushes against it. Reaching over your shoulder, you feel the warm point of a foreign object protruding from your back, with something fleshy hanging off of it. You struggle to scream, but you can no longer even move. Your body slumps forward, and you close your eyes.

You are dead!